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Price:
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$14.00 |
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Catalog
Number:
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CPS-8612 |
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Audio
Format:
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Stereo, DDD |
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Playing
Time:
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75:56 |
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Release
Date:
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1991 |
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Cover Design: Elizabeth
Ono Rahel
Cover Photo: Glenna Theurer
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Track
Listing & Audio Samples
Need Help with Audio?
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Britton
Theurer |
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1. |
Feste
(3:56) |
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Stephen
Jones & Britton Theurer, trumpets |
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Gary
Smart |
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2. |
Trumpeter
Swan (16:57) |
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The
Franciscan Quartet |
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Britton
Theurer, trumpet |
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Britton
Theurer |
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3. |
Fantasia
(10:28) |
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Gary
Smart, piano |
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Britton
Theurer, trumpet |
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Charles
Eakin |
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4. |
Trumpet
Capriccio (12:13) |
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Britton
Theurer, trumpet with electronic digital delay |
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Salvador
Brotons |
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5. |
| Sonata da Concerto (12:48) |
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Gary
Smart, piano |
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Britton
Theurer, trumpet |
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Elliott
Schwartz |
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6. |
Sinfonia
Juxta (10:58) |
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Elliott
Schwartz, piano |
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Stephen
Jones and Britton Theurer, trumpets |
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Steve
Barnhart, percussion |
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Gary
Smart |
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7. |
Fanfare,
Invocation and Alleluia (7:41) |
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Marilyn
Smart, soprano |
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Gary
Smart, piano |
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Britton
Theurer, trumpet |
Related
Links
Elliott
Schwartz @ Electronic Music Foundation
Elliott
Schwartz @ G. Schirmer Inc
Elliott
Schwartz @ Sigma Alpha Iota Philanthropies
Reviews
Fanfare - by Alex
Ross
"Britton
Theurer, a trumpeter of considerable gifts and a professor at the
University of Wyoming, has put together a collection of recent works
emphasizing his instrument. Fantasia is the title; three
of the composers also participate in this recording as performers,
and much of the music has an improvisatory feel. (Theurer wisely
notes that classical music might enjoy additional gains by nurturing
composer-performer reciprocity: the composer's first-hand knowledge
of the virtuoso's expressive powers, and the performer's ability
to hear music through the composer's ears) To summarize briefly:
Theurer's two works are in a bright middle-American idiom, flavored
by jazz (his Feste, from 1982, is the only pre-1990 score
on the program); Gary Smart's pieces are comparable, although verging
on the bland (Trumpeter Swan was inspired by a New Yorker
article!); Charles Eakin's Trumpet Capriccio pits
solo trumpet against "electronic digital delay," highlighting
Theurer's virtuosity (the process is no advance over traditional
tape-delay, and the whispering voice effects unfortunately recall
the leitmotif of the Friday the 13th movies); Elliott Schwartz's
Sinfonia Juxta combines two occasional pieces into a free-flowing,
percussion-accented format; and, most interesting to my ears, Salvador
Brotons's Sonata da Concerto, composed in a nostalgic, fluid
early-atonal manner (that of the Berg sonata, say). The performances
and sonics are fine, although I was somewhat wary of Marilyn Smart's
soprano voice in (her husband's?) Fanfare, Invocation, and Alleluia.
Theurer makes a particularly impressive showing next to the
well-known Stephen Jones in his own exuberant, joust-like Feste.
The notes are quite extensive. None of this music
is apt to cause a stir; I recommend it principally to brass enthusiasts."
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